the setlist...
beach
whores
shower
no one's leaving
ain't
three days
been caught
idiots
then she
mountain
stop
From Scott--
Jane's Addiction 4/23/91.
This was my first time seeing Janes Addiction. And while it was
obvious they were a little tired, and the acoustics were pretty bad,
they still put on a great show. They played very tight..started with
up the beach..then whores..etc. I remember summertime rolls as being
one of the most shockingly beautiful songs I'd ever heard played
live. They ended the show with it and I remember Perry saying as it
started..
"You guys are very lucky, because you get to revolt for
real...we're a lucky generation..we really are." (I still remember
that, for some reason).
You could tell the bad acoustics of the place didn't go unoticed by the
band either. But it didn't slow them down. I left feeling like I had
just seen about the best band I would probably see for the next five
years or so. (Or at least until Lollapalooza came around four months
later).
By the way I know the guy who wrote the Post review. We used to wait
tables together. He was about thirty at the time, a frustrated
musician himself. (A big fan of the late '70's, Nick Lowe/Elvis
Costello school of music). A nice enough guy but kind of
condescending in his own way, as you can tell from the review.
Jane's Addictions Rambling Jams FROM THE WASHINGTON POST 4/29/91.
Jane's Addiction came to the concrete cube of the Smith Center at
George Washington University and turned it into a seatbox Tuesday
night. At least it did on it's double time hip hop tunes, such as
"Standing in the Shower" and "Stop", speedy funk at its best. But
when the band went into its slower tunes, such a Three Days and the
encore, Summertime Rolls, it sounded like an updated Grateful Dead,
with meandering melodies and no real payoff.
The biggest Jane's Addiction hit, Been Caught Stealing, is one of
the best of the sweaty tunes, and when it kicked in halfway through
the set, the hardwood floor was literally bouncing with some 4,000
groovemeisters.. It seemd a tired version though, and the slow break
inserted into the song took away from the relentless power that made
it such a huge club hit. The whole band seeed a wee fatigued from its
many weeks of touring Europe, and as this show was the first of
another leg of a U.S. tour, one hopes it'll find some energy along the
way.
Perry Farrell still exudes star quality, and the aggressive whine
of his voice(somehow perfect for the songs he writes) was in great
form though it got lost in the gymnasium acoustics. Guitarist Dan
(yes he said Dan) Navarro did his best to provide a wall of sound but his tone was lost to the hall, and on "Three Days" he turned an
aimless jam into ear mud. Farrell gave a couple of brief ironic
lectures on chanigng the world, but he would have served his audience
better by figuring out how to make the bands music match the dramatic
stage sets.-Eric Brace
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